Apple & Creativity: the Sympathetic Magic of Brands

Image representing Apple Inc. as depicted in C...

One of the most widely discussed studies of the last year was a paper that claimed that people who were exposed to the Apple logo displayed more creativity than people who were exposed to the IBM logo. The study, which came out of the University of Waterloo and Duke University, also reported that people who were exposed to the Disney logo behaved more honesty than people who were exposed to E!.

The idea behind all of this is a psychological phenomenon known as “priming.” There have been a number of interesting studies in this field. People who have been exposed to words associated with rudeness have been observed to behave more rudely than those who were not, and people exposed to the elderly have shown a tendency to move slower and display poorer memory. Essentially, if we have a strong enough association between a symbol and a particular behaviour, it seems that we are more likely to display that behaviour ourselves. So, because the idea that Apple is associated with creativity has been so efficiently drilled into us, our brains are now primed for creative work when we see that logo.

Makes sense. This is, after all, how marketers hope branding works. By associating themselves with particular traits or activities they build a connection between their symbol and the things that activity represents. Apple products don’t actually have to do anything with their design or function that helps us be creative, all Apple has to do is associate the notions of “creativity” and “Apple” enough times and our brains take care of the rest. This is the essence of their branding strategy. I suspect the same is true of “Axe Body Spray” and “sex” or “Budweiser” and “sex” or “Porsche” and “sex”.

The real goal for marketers, however, is build a connection between their product and the behaviour of “buy this,” and I’m not certain that goal is being achieved by any of these branding efforts. If having an Apple poster on my wall while using a Windows machine has the same effect on my creativity as using an Apple product, then why bother laying out the extra cost of buying Apple? In fact, if priming is so effective, why not just put up posters of our creative heroes, images we associate even more deeply with the sort of work we want to produce, than some corporate logo? Perhaps the notion of filling our rooms with the icons we adore, as so many of us did when we were in high school, is a brilliant way of influencing our behaviour.

The idea of sympathetic magic is deeply ingrained in cultures throughout the world. From lucky talismans to superstitious rituals, to the habit of collecting items that were once possessed by famous people, or eating the hearts of our enemies to absorb their life force, humans have long history of connecting symbols with outcomes. We can scoff at the idea of prehistoric man throwing spears at cave paintings of deer in the hopes that it would magically provide them with a more successful hunt, but as an early form of priming this makes perfect sense. By associating the ritual and the image with the actual hunt, perhaps the brains of our ancestors were better prepared for action when they saw deer on the plains.

So, thanks Apple for creating a symbol we can associate with creative work. It reminds me that I should get a picture of Don Delillo to put above my desk.

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