I can’t get over how great this NFB film from 1953 looks. Though it’s in black and white, it looks like it was shot yesterday.
The National Film Board is one of our great assets, and I’m so pleased that they’re getting all of these terrific films online. (Choose High Quality for best results, though even standard quality looks pretty damn good. Did I mention this film is over 50 years old?)
Archive for the 'Culture' Category
From the Freakonomics Blog today:
In a plot twist worthy of Lost, it turns out that TV commercials aren’t obnoxious interruptions after all. They’re helpful interruptions, which increase your enjoyment of TV by periodically reminding you how much you’d rather be watching your favorite show.
That’s according to a new study published in the Journal of Consumer Research, which found that commercials restore a sense of novelty to TV programming by breaking up the cycle which we become bored with following what’s on the screen.
In one of several experiments, the study’s authors screened the sitcom Taxi for two groups. One group saw an episode with commercial interruptions, and the other saw an episode with no interruptions. Those who saw Taxi with commercial breaks enjoyed it more, by a decisive margin.
Please Embrace This Commercial Interruption - Freakonomics Blog - NYTimes.com.
I find this an amazing and totally unexpected result. I wonder if the study can be reproduced, or tried with other forms of media.
Felix Salmon takes Henry Blodget to town over the Silicon Valley Insider’s mostly stupid advice on what to do with the New York Times.
How Not to Fix the New York Times - Finance Blog - Felix Salmon - Market Movers - Portfolio.com.
Pasha Malla is one of Canada’s most talented and creative young writers. I’ve been loving his stuff, and this piece that he penned for The Morning News recently nicely captures his particular variety of funny brilliance.
If at Halloween you’re invited to a TV- and movie-themed party and she dresses up as Winnie Cooper and you dress up as Paul Pfeiffer, mainly because you already have the glasses, and at the party some guy who’s a dead ringer for Fred Savage saunters up, peels off his mole, and says, “Get lost, Paul, Winnie’s mine,” and you’re left standing there while the two of them go off dancing to the soundtrack from Forrest Gump, and when two hours later she finds you sitting by the punch bowl explaining for the umpteenth time that, no, you’re not supposed to be Woody Allen, she holds up a tie stolen from a passed-out Alex P. Keaton to her petticoat and redubs herself Annie Hall, and you Alvy Singer: She loves you. And, to be honest, I sort of love you, too.
I also really liked the bit about Gael Garcia Bernal.
Check out his short story collection, The Withdrawal Method.
50 People, 1 question
Fifty People, One Question: New York from Crush & Lovely on Vimeo.
I can’t wait for the sequel: 50 people, 1 cup.
As far as I can tell, there is a 15-year-old filmmaker in the States who is devoted to producing lego-animated versions of famous Eddie Izzard bits. Thank God for the Internet! I definitely prefer watching Lego to watching Izzard in drag.
These ones are particularly brilliant:
Death Star Canteen
Supermarkets and Trolleys
More wonderfulness on Thorn2200’s YouTube channel.
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These papercraft gear models made by Haruki Nakamura (the paper artist, not the Baltimore Ravens safety) are simply beautiful.
I would love a motorized version of either of these sculptures, with the motor on a timer that made the gears turn every couple of minutes.
Just when you thought that eight years of this meme was enough, the triumphant return of Whassup!
And, in case you’ve forgotten it: The Original
And, FYI: the indispensable Wikipedia page on Whassup?
(HT: Buzzfeed)
Sick Boy: Personality, I mean that’s what counts, right? That’s what keeps a relationship going through the years. Like heroin, I mean heroin’s got a great fucking personality.
That was the quote that jumped into my head reading this great interview with an (ex) heroin dealer at Vice Magazine. Though, really, he seems more like a character from a Guy Ritchie flick than someone out of Trainspotting.
Some highlights (warning, it seems heroin dealers sometimes use words that aren’t too nice):
On using heroin for the first time, in prison, after being arrested for running his giant smack operation:
In September 1995 I used heroin for the first time, out of boredom and curiosity. It felt lovely and warm, like somebody putting an electric blanket over you. But the best thing about it, and this is why the jails are full of heroin, is that it makes time go by very quick. Twenty hours on heroin is like two hours normal. I got out ten years later and I didn’t know I done the bird [prison time].
On how he and a buddy got heroin into prison:
I had five kilos of pure heroin straight from Turkey buried along with two Berettas, an Uzi, and four shotguns at St. Pancras graveyard in North London. Every week I’d phone a girl up and use the word “brandy,” which was code for brown—heroin—and she would go and get it. She dug up the stash and shaved off some, and then it was given to a second girl who had a boyfriend in my prison. It was wrapped in a condom and nylon sheeting, shaped up proper like a dildo. She stuck it up her cunt. On the visit, they’d snuggle up close, and her boyfriend would put his hand slyly down her knickers, get it, and then stick it up his arse. Back in my cell, he’d get 60 grams and I’d get 60 grams.
On how getting by in prison isn’t too hard, if you have money:
I never ate prison food. They [the guards] brought me in Marks and Spencer salads. In one prison the screw brought me in four ounces of weed, half a carrier bag full of phone cards, half a bag of tobacco, a TV, a phone, and two bottles of brandy, every week, for £500 a week, plus the bill for the food. He’d wink and say: “Your box is under your bed.” Then I’d pay another inmate to look after it. If you don’t have money, you have nothing.
On quitting heroin and crack after prison:
I went for treatment in Turkey twice. A detox where they put you to sleep through withdrawal. It cost £20,000. My family paid. But when I got back onto the streets here in London, I kept slipping. Finally, I fell in love. It’s as simple as that. I haven’t touched a stone since.
And, finally, when asked why he doesn’t get back in the game, if he’s scared:
Fuck off. D’you want a smack?
Brilliant. I wish I was the kind of journalist who was out there interviewing drug dealers, instead of merely talking to economists and scientists on the phone.

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